Well, here we are. I can now say that I've watched the entirety of one of the most popular Spider-Man cartoons, and honestly, the general opinion on the show is pretty accurate - there are definitely some bad episodes and ideas here, and more than a few that I'm indifferent to, but of the series I've seen so far (for this blog), I'd easily say that this is the most consistently enjoyable. Part of that is no doubt thanks to the show doing a fairly faithful and consistent job of adapting the comics, but even when it tries its own thing it's often fairly successful - I'll happily call this show's take on Hydro-Man the best out of any continuities, including the comics.
It's not like it's just limited to Spider-Man, either - I was surprised by how much both of the 1980s series ended up using the Marvel Universe cast, but they often felt like they'd been arbitrarily thrown into the episodes they were in (looking at you, Medusa) for the sake of it. Here, whenever we've got a guest star - Daredevil, Captain America, Doctor Strange, and more beyond just them - they're inserted into the episode naturally and they're written in a way that's true to their characters. If this was your first exposure to the Marvel Universe, then I can't say it's a bad one to start with.
I was also quite pleased by the way the show handled continuity, compared to the ambitious but ultimately disappointing attempt of the 1981 series, and the pretty stock-standard take of the other series (ie. assume there's no continuity unless it's being brought up within the episode itself). Unfortunately the writers bit off a bit more than they could chew with the season-long arcs - Neogenic Nightmare was stretched out a bit too long, and Sins of the Father and Partners both tried for thematic arcs which didn't really land - but smaller bits of continuity, like the rise and fall of Alistair Smythe, or Peter's relationship with Mary Jane, really worked well and felt like they paid off if you stuck with them.
So, where were the parts that the show failed, then? I was expecting the somewhat more toyetic nature of it to be something of a failure, but honestly, half the time you don't notice how it's affected the show - if I didn't know that Hobgoblin was added in before the Green Goblin to sell toys, I'd have just assumed that the writers were subverting expectations. When the show fails, it's more by its own faults, such as the above-mentioned season-long arcs, or a bizarre writing choice like making Electro the Red Skull's son.
Some final notes and fun headcanons that I'd like to share:
- We never see Shocker with his mask off, and we also never see him in the same place as Ned Leeds. As far as I'm concerned, it's conclusive evidence that they're one and the same.
- In the one episode when an article is shown to be written by Ned Needs, Robbie is the one who supposedly wrote the article, and is being threatened by Tombstone for it. I figure Ned Needs is his alias for when he wants to write an article but keep his name out of the paper for whatever reason, and it was inspired by the Daily Bugle's top reporter.
- Robbie's also mentioned to have, like, four or five wildly different jobs in his past. He also has contacts in Russia, so I'm assuming that he's secretly been a Russian spy all this time. Those past jobs were either lies he's telling now to explain the skills he got as a spy, or they were cover jobs he had to work to get closer to his targets.
- In spite of Spider-Man promising to do so, he never ended up chasing Shocker to the ends of the earth.
Anyway, those are some of my overall thoughts on Spider-Man: The Animated Series. I'm going to finish off my thoughts on this series with a list of the top ten and the worst ten episodes, so that you, the intelligent reader, know what to look forwards to and what to avoid if you decide to check out this series.