Market Forces
- Peter and Betty Brant originally dated in the comics (she was, in fact, his first girlfriend), which is presumably the inspiration for him asking her out in this episode. In the comics the age gap between the two is much smaller; she dropped out of high school to work for the Daily Bugle since her mother was sick.
- Aunt May wanting Peter to meet Mary Jane, only for him to be horrified by the idea, is also out of the comics.
Review: Changing Shocker from being Herman Schultz to Montana is one of those changes that annoys me initially, but then when I stop and think about it, what's the real harm done? It's a lot more eloquent to give the suit to an existing character, one who could already do with a bit of an upgrade, and as much as I like classic Shocker, it's not like he's got a very memorable personality or much that's that unique to him.
No, making Montana this universe's version of Shocker is fine. The real qualms I have with this episode are twofold: firstly, the episode is really unclear about what's going on with Peter's camera. He goes to buy a new one and the shop is closed, then shortly afterwards is home and after debating giving money to Aunt May, decides to keep it for the camera. When he meets up with Betty later he says that he's got a new camera, but then the end of the episode treats it as if he doesn't have one. He might have theoretically returned it to the store, but it's not made clear; the whole situation is a bit more confusing than it should be.
The other qualm, a more minor one, is the sense of timing. It's not made apparent unless you stop and think about it, but what exactly is happening in-universe here? Peter ditches Harry the second time so that he can go to the Daily Bugle; did he really have no time to tutor him first? When he meets Betty outside the Daily Bugle with Schrodinger's New Camera the last thing we saw him do was talk to Aunt May about the bills; is this the same night or a different one? Has he had time to see Harry, or did we skip an entire day of school? The events are very much happening as the plot requires them, and it feels like there are hours going on between Spider-Man scenes where he's not actually doing anything, despite having things to do.
None of the above is a dealbreaker, though. We've got the most entertaining fight since the first episode and a clever way to defeat Shocker, and a lot of subplots are being introduced. Flint Marko and Alex O'Hirn are fully established as the local thugs, setting them up for the next few episodes, Harry's been prompted to grow a spine, the Fall Formal's been brought up, and Norman Osborn is now working with the Big Man. If you don't find any of these intriguing then I don't know what to say. This is good stuff.
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